shoreline

  • Kailiili Sunset

    Fallen tree along the Maui coastline

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    This is the second time that I visited this location along the Kaliliili coastline of Maui. The long stretch of coastline that runs along the ocean side highway on the way to Lahaina there is a small section of old fallen Kiawe trees that stretch out into the ocean. The black sand of the beach slightly covers the lower branches and they reach out into the air making it look like they are independent of the fallen tree.

    I originally setup further away from the tree to get more of the tree into the photograph, however, the tree flattened out the flow of the scene. Instead I began to work on several different perspectives as well as different trees close by, but I wasn’t feeling that creative spark. As a last minute composition I decided to move extremely close to the tree I started with in order to express the organic detail as it moved into the ocean. At this point the sunset was at a close and I was graced with an orange glow of light along the trunk of the tree.

    After capturing this shot I continued to shoot the ocean with long exposures and experiment with other compositions, but this was the favorite.
    © Christopher Johnson

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  • Noio Point Arch

    Photograph of a sea arch along the western Hawaii coastline during sunset

    Sunlight streams through the large opening of a sea arch off of Noio Point along the Kailua Kona coastline.

    See the aerial version I shot with a DJI Spark drone, ‘Sea Arch Aerial‘.

    © Christopher Johnson

    Available backlit from Big Naked Wall. Check out the website and see the cool things they are doing for artwork with their interchangeable prints on backlit frames.

  • Two Fifteen

    I visited this location two days in a row when the sunset had some promise. The first day was disappointing when the sun popped under the clouds as a dull glowing ball surrounded by the colorless grey haze, blocking any chance of color and light. I was successful when I shot while the sun was high, but during the finale the absence of light pushed my shutter speed too slow. While I wan’t going to compromise any more on aperture and ISO I packed up. However, the next day I was graced with the appearance of the sun. Again I watched as the sun faded behind the low lying haze that trapped the sunlight from under lighting the belly of the clouds, but I was happy to witness some color on the horizon.
    My goal with this shot, against this sunset, was to capture the color and texture of the seaweed with a 1 second shutter. The surf was high and I didn’t want to risk a tight ground shot, so instead, I framed a glimpse of the foreground.
    Enjoy…
    © Christopher Johnson

  • Shoot RAW

    Shoot Raw … a Rude Reminder

     

    Long breaks from shooting have proved to be bad for me. This is following my Failure To Focus post from last month. This next lesson came from an entire shoot that was mostly of un-useable images. Such a drag since the location I walked to was a couple miles along a treacherous terrain. Hopefully I won’t make the same mistake again.

    12 years ago I made the change from shooting all JPEG to shooting all RAW images. It didn’t really matter if the subject I was shooting needed to be RAW because it was going to be shot RAW anyway. Well now I have become so custom to developing RAW images that I forgot what the difference really was. Well I learned the difference today.

    My camera is getting old. The last photo shoot I had was underwater at Mahaiula beach. Unfortunately the housing leaked and when I removed the camera, although the camera worked fine, the settings began to change on their own. ISO, focus, white balance, and PASM; I just didn’t realize the RAW capture settings changed as well. I had thought something was different when I noticed the 1250 number on the screen, but it didn’t dawn on me what that number actually represented. The 1250 was the available images I could shoot on the memory card, where that number usually is around 200. Thinking it was the ISO I went to adjust the settings, but it was already at 100. It was at this moment I should have stopped to figure it out, but of course I didn’t and proceeded to shoot the new location.

    I left thinking I may have gotten some great shots… I was wrong. Once I saw the JPEG at the end of the files while loading them on my hard drive I was mortified. “Maybe they will be fine” I thought to myself. That was until I began to work on the images.

    The first thing I began to notice was the amount of artifacts in under exposed areas. Then the minor adjustments in the highlights and shadows really started to make the images look fake. Instead of having the ability to fine tune these areas, small adjustments would completely blow them out or flatten the image. Then there was a lot of blotchy areas where the pixels try to make up the detail in dark and highlighted areas. Followed by the objects in the distance at the far end of focus had a weird sharpening look to them. Almost like the objects were wrapped in plastic. These camera compressed images were total crap. All flexibility for development is gone. The only way this JPEG setting worked is if the image shot was technically perfect and in a tight focal range.

    The shot I posted needed very little development and for the most part worked. With a little bit of loss in the shadowy areas I am fairly happy with it, but as for the rest, it was a sad night.

     

  • Kohanaiki ‘S’ Curve

    I had a great time shooting at a new location with Mark Rogers for this sunset. This spot is so complex with so many compositional possibilities. I can’t wait to see what images Mark came up with.

    My first impression of this location is a view through the passage toward a large hole in the reef. I wanted to capture the colorful seaweed with the strings of water as it flows gently through them while the sun colors up the clouds above. I think that with this composition in the winter the sun may be in the opening above the ocean, so I look forward to that possibility.

    This photograph of the beautiful Hawaiian scenery can be purchased as a fine art print for home or office or licensed for usage.

    Please contact me for more information.

  • Keahole Sunset

    A wide photograph to show the character of the Keahole shoreline.

     

    Being too busy to go out and shoot is no fun and that is where I have been for most of 2015. Today I was able to retreat to the beach and noticed the calm ocean. It was then I slated a time to shoot the sunset. When the ocean is calm and the tide is low, the seaweed is more prevalent and I knew exactly where to go. A spot I haven’t been to in a while just north of Kailua Kona where the shoreline has a unique character to what we think Hawaii should look like.

    This location, unlike the others, is more violent when the waves surge in and out of the large holes in the rocky shoreline. Extra caution is needed when setting up. I setup low and close to the opening in-order to capture the water flowing through the seaweed. Because the surf was calm I felt safe from being pulled into the opening.

    I was lucky that the sunset came together at the right moment. I shot several frames, but this is the one that brought the entire scene together… Enjoy!

    © Christopher Johnson

    Waves rush through the blooming seaweed along the terrain of the Keahole coastline

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  • In And Out

    Dark clouds began to build from the massive storm about to hit the Hawaiian Islands. On shore winds made this location extremely challenging to shoot. With each wave crash, sea spray would speckle the filter causing another cleaning. I wasn’t anticipating the wind otherwise I would have brought some sort of shield. Instead I used my shirt, slipping it over the camera while cleaning the filter carefully keeping still on the slippery rock face as giant waves raged toward me. Must have been a sight to watch… somewhat embarrassing.
    I shot several images of the wave action, but this one I feel captures the violence and movement of the ocean during the storm.

    © Christopher Johnson

  • Tropical Storm

    The days following hurricane Iselle have made for some beautiful sunsets. Long stretches of low lying clouds with amazing formations that the light paints a surprising random pattern of color across the sky. It was the next night after the hurricane first hit land and quickly turned into a tropical storm that I ventured out to enjoy the sunset. My first thought was to go to Kohanaiki, with the white coral sand against the deep blues and purples would make for a pleasing shot, but the gates were still closed. Instead, a few miles down the road, Wawaloli beach park. There is one spot that is always crowded, but was left empty due to the storm. A small stretch of black sand that leads to another stretch of large rounded boulders. I have been wanting to revisit this spot for some time.

    My shots began on the smooth sand, but I eventually found myself clumsily making my way over the slippery boulders. Careful to setup in a location where I wouldn’t get too drenched by unsuspecting, unpredictable waves, I setup to capture both the water movement and clouds in one frame. This shot I feel I captured to moment. With the slow shutter, the incoming waves smoothed out and caressed the dark boulders in a milky white while the stormy clouds are decorated by the colors of the setting sun.

    © Christopher Johnson

  • Bending Light

    Photograph of sun rays shining through the murky turbulent ocean water.

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    An underwater photograph shot toward the surface of the water as the sun shines through the ocean water makes for dramatic image. Photographed at Mahaiula beach just north of Kailua Kona, Hawaii.