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  • South Swell

    A beautiful sunset from along the Kona coastline during a large swell.

    I went to this familiar location to shoot from the same spot I usually do, right at the mouth of the hole in the reef. This usually puts me right in line looking at the sun setting with a dramatic foreground of the water draining back to sea. Fortunately there was a large south swell that had forced me to find a new perspective because standing where I usually do would be dangerous as the water will pull my photography gear or me into the hole that is 10 to 15 feet deep if not careful. Some of these waves will catch me off guard and it is not easy to escape and in the past I have had to thrust my camera way up in the air by grabbing the tripod legs so a wave didn’t kill it, but would leave me drenched. You might wonder why I say fortunately instead of unfortunately. Why would it be fortunate to be forced into something I wasn’t planning on. Well, I say fortunately because I love it when I am forced to try something new. When there is a spectacular sunset I always go to my comfort zone with a perspective and composition I have photographed before so I don’t screw it up. Where I usually come home with some great shots, I am still longing for a new perspective. I don’t want to have a portfolio of the same shots when there are so many great views along this coastline. At least this time I was forced.
    This is not the most amazing photograph, but it was very complicated both with composition and technicality. I really had to work for this shot. The foreground rocks aren’t very large, so in order to trick the eye I had to crouch down into the small crevice and straddle the river of rushing water about 2 feet off the ground. In that position it is really hard to setup and look through the view finder… especially when you are as out of shape and stiff like I am.   🙁   I had to fold myself while moving around so my shadow wasn’t visible on the left rock face. It’s hard to explain how weird I felt, but I’m sure I looked like a crazy person on the coastline waiting until the right moment, which never ever comes immediately. I have to begin cramping up before I can begin to shoot and create.
    After all that I waited on developing these images until 3 months later because of the volcano eruption that stole my attention. It wasn’t until I was tired of not seeing a sunset because of all the VOG that I went back through my images to find this awesome day.
    This image is a mesh of 2 images at different focal points. One for the foreground rocks and the other for the rest of the scene. The final image was edited several times over, over a couple days to get the look I was going for.
    © Christopher Johnson
  • Gold And Blue

    The Hawaiian Coastline

     

    I was looking for a new way to photograph the Hawaiian coastline. This time I decided to tilt the camera down to show the foreground and imply the sunset through the warmth of the seaweed as well as the reflected glow of the sun in the water. With a slow shutter the motion of the water streaks and swirls as it mingles with the seaweed on its way back into the large holes in the coastline.

    View a different photograph of mine from this same location… http://www.fromhereonin.com/keahole-sunset-3/

    © Christopher Johnson

  • Kohanaiki ‘S’ Curve

    I had a great time shooting at a new location with Mark Rogers for this sunset. This spot is so complex with so many compositional possibilities. I can’t wait to see what images Mark came up with.

    My first impression of this location is a view through the passage toward a large hole in the reef. I wanted to capture the colorful seaweed with the strings of water as it flows gently through them while the sun colors up the clouds above. I think that with this composition in the winter the sun may be in the opening above the ocean, so I look forward to that possibility.

    This photograph of the beautiful Hawaiian scenery can be purchased as a fine art print for home or office or licensed for usage.

    Please contact me for more information.