clouds

  • Hualalai Sunset

    Hualalai mountain shrouded by sunset lit clouds from the Kailua Kona shoreline

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    Standing on the coastline waiting for the sun to get into position to photograph the rocky shoreline swallowing the waves during sunset, I looked behind me at the mountain. This was too good to pass up and immediately shifted focus from the ocean to the land. My single wide lens couldn’t capture the entire scene that I was witnessing, so I needed to shoot a panorama.

    This image is a combination of 9 images. I first panned the landscape and then the sky to create the largest single image I have ever worked on. 20 hours of warping, masking, blending, and enhancing as well as another 3 to polish the shot to how I saw this amazing sunset.

    Panoramic view of Hualalai Mountain in the sunset

  • Clouds

    Rain clouds over the Pacific ocean between Maui and the Big Island of Hawaii.

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    On a Mokulele flight from Hawaii to Maui, the view of the stormy clouds were amazing. A lightning storm was moving across the islands creating some amazing cloud formations. I sat on the rear bench seat of the small airplane and photographed these clouds through the rear window. This image is 3 stitched images to create the panorama.

    © Christopher Johnson

  • Ka’anapali Sunset

    A beautiful sunset from the Ka’anapali beach on the island of Maui

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    The winter months in Hawaii are the busiest as people that live in cold climates seek an escape to warm beautiful tropical weather. With the increase in people finding wide open unobstructed landscape photo opportunities decrease.

    I went out to photograph this sunset off of the sandy beach of Ka’anapali. Instead of getting a wide angle shot close to the water I decided on capturing a fresh perspective. I have always loved the look of the trees that lined the beach along with the broad leaved vines that grow along the ground, so this time I setup back away from the ocean. After composing and setting up for the shot I started to realize the traffic of all the people coming out to enjoy the sunset. Some people stopped to take a quick picture while others rested on the trees within my field of view. The last interruption came as a family posed to take a family photo on the tree with the sunset to their backs. Luckily I had a few open opportunities to get the shots I needed to work with. The rest of the time was spent enjoying the sunset and the way people reacted once they saw me crouched on the ground taking their photo.

    © Christopher Johnson

  • Golden Hour

    Photograph of an amazingly clear golden sunset from the Keahole Point coastline on the Big Island of Hawaii.

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    I stood precariously close to the edge of this Big Island blow hole in order to capture the details of water flowing through the seaweed and into the large hole. Luckily the tide and swells were low so that I could do this without too much worry or trouble. Like always there is the rogue wave that helps me to not get too comfortable and to always be prepared. I was pleasantly surprised there was a golden sunset to accent the golden foreground of the seaweed.

    Water fills into a large hole in the Hawaiian coastline during a beautiful golden sunset.

    Visit another golden sunset post Golden September Sunset.

  • Golden September Sunset

    Photograph of a Golden Sunset along the coastline of the Big Island of Hawaii

    Golden sunset from the Big Island of Hawaii shoreline.

    Check out my Pu’u Poa Beach Sunset collection.

  • Follow Through

    Photograph of the Hawaiian sunset near a large blow hole in the rugged coastline of Keahole Point.

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    The sunset wasn’t progressing like I had hoped it would on my re-visit to this familiar blow hole. I setup further away from the blow hole in order to capture the water streaking back towards the hole with the sun setting just beyond. With the storm clouds stretching toward to horizon I had to wait for the small window where the sun peaked out and casted its beautiful orange sunset color over the coastline surface and underbelly of the clouds. Unfortunately once the sun disappeared the colors went as well, but I waited for the hope of a surprise that didn’t come. 🙁

    © Christopher Johnson

  • Take Two

    Beautiful Hawaiian landscape photograph of the energy surrounding an awesome Big Island blow hole at sunset.

     

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    Take Two is a second photographic look at the blow hole I posted earlier. Instead of the calming reflected water there is a more energetic rush of water.

    © Christopher Johnson

  • June Blow Hole Sunset

    Sunset photograph from the rugged coastline of the Big Island of Hawaii

    This sunset shot is from a favorite location that I have photographed many times before. On returning here I didn’t want to repeat the same composition, so I spent a good amount of time scoping out a location. Then when I thought I was ready my tripod began acting up. I cleaned out the legs and didn’t seat one of them back in properly forcing me to quickly fix it on the rocks while waves came crashing in. Clumsily I nearly dropped a piece into the water, but I was able to fix the problem and was back in business.

    I liked how the water was reflecting the clouds while it gently flowed back into the blow hole, so I set up in the pool of water directly behind the opening. At times I was nearly waist deep in the inrush of flowing water. It was a beautiful sunset.

    © Christopher Johnson

  • Pololu Valley

    A view of the amazingly beautiful Pololu Valley from the beach

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    Southern cliffs lit up and reflected in the black sand beach of Pololu Valley as water streaks through the shoreline rocks.

    © Christopher Johnson

  • Layered Clouds

    Altocumulus lenticular clouds formed above the Sierra Nevada Mountains

    Photographed from the top of the Heavenly Valley Ski Resort looking down towards the Carson Valley.

    © Christopher Johnson

     

     

  • Kamokuna At Night

    Photographing the Kamokuna Lava Ocean Entry at Night

     

    On December 31st there was a drastic change to the shoreline at the Kamokuna ocean entry. The lower shelf that the lava once gradually flowed over before entering into the ocean as well as part of an old lookout point fell into the ocean. Somewhere around 17 acres of land suddenly disappeared. I had to go see it and so as a last minute plan we headed over. I couldn’t believe the amount of roadblocks we encountered on the way. Dead car battery, flat bike tires, missing headlamps, and an accident that closed the road for 30min. While sitting in traffic I turned to my wife and said. “I don’t think we’re gonna make it in time.” At that point we considered abandoning the mission, but to our surprise the road opened up and we were on our way. Lucky it did because I don’t know when we would be able to get back over there.

    The trail was light with people, so we were able to ride with ease without having to worry about everyone and made it with plenty of daylight to spare. When we came prior to the collapse, in August of 2016, the road went on further and we were able to get close to the lava. Close enough where we were able to see a lot of action with our naked eyes. Now the new lookout puts us several hundreds of yards away. The action is harder to see without binoculars or zoom lenses. With the amount of smoke billowing off of the entry even seeing the lava is difficult. A gust of wind would swoop in and push the smoke where we would get a glimpse of the large lava river draining into the ocean. It was impressive to see even with the great distance.

    My family walked around and explored all the viewing areas while I found a spot I liked and didn’t move from that spot the entire time we were there. With the small crowds of people I wanted to make sure that I had a front row spot where I didn’t need to worry about someone moving in front of me. Even still I had the occasional tourist think I was their husband and stand next to me while telling me about how they nearly fell down in the dark. I would slowly look up and watch them get flustered with embarrassment and walk away. Strangely enough it happened more than once.

    My lens of choice was the 300mm telephoto for the distance. It was windy, so I needed to weigh the tripod down with my bag and crank down all the setting nobs. I also used a cable release and waited for the wind to die down before taking the shots in order to reduce camera shake. Any slight movement while fully zoomed in will move the composition a couple feet.

    It was at night that the lava glowed and showed life with a lot of small explosions. I decided to capture the night sky with my wide angle before leaving. I took 8 to 10 – 30 second shots while my kids grew impatient. They were definitely ready to start the long bike ride back and get something to eat.

    As I stepped off my bike at the car I was relieved the bike ride was over. Any longer and the extra hard, value engineered, cheap ass seat would have to be surgically removed from me. It has been a couple weeks since then, but I swear I walk differently now. We had fun.

    © Christopher Johnson

     

    View more lava images - http://www.fromhereonin.com/volcanic-activity/

  • Two Fifteen

    I visited this location two days in a row when the sunset had some promise. The first day was disappointing when the sun popped under the clouds as a dull glowing ball surrounded by the colorless grey haze, blocking any chance of color and light. I was successful when I shot while the sun was high, but during the finale the absence of light pushed my shutter speed too slow. While I wan’t going to compromise any more on aperture and ISO I packed up. However, the next day I was graced with the appearance of the sun. Again I watched as the sun faded behind the low lying haze that trapped the sunlight from under lighting the belly of the clouds, but I was happy to witness some color on the horizon.
    My goal with this shot, against this sunset, was to capture the color and texture of the seaweed with a 1 second shutter. The surf was high and I didn’t want to risk a tight ground shot, so instead, I framed a glimpse of the foreground.
    Enjoy…
    © Christopher Johnson

  • Kohanaiki ‘S’ Curve

    I had a great time shooting at a new location with Mark Rogers for this sunset. This spot is so complex with so many compositional possibilities. I can’t wait to see what images Mark came up with.

    My first impression of this location is a view through the passage toward a large hole in the reef. I wanted to capture the colorful seaweed with the strings of water as it flows gently through them while the sun colors up the clouds above. I think that with this composition in the winter the sun may be in the opening above the ocean, so I look forward to that possibility.

    This photograph of the beautiful Hawaiian scenery can be purchased as a fine art print for home or office or licensed for usage.

    Please contact me for more information.

  • Keahole Sunset

    A wide photograph to show the character of the Keahole shoreline.

     

    Being too busy to go out and shoot is no fun and that is where I have been for most of 2015. Today I was able to retreat to the beach and noticed the calm ocean. It was then I slated a time to shoot the sunset. When the ocean is calm and the tide is low, the seaweed is more prevalent and I knew exactly where to go. A spot I haven’t been to in a while just north of Kailua Kona where the shoreline has a unique character to what we think Hawaii should look like.

    This location, unlike the others, is more violent when the waves surge in and out of the large holes in the rocky shoreline. Extra caution is needed when setting up. I setup low and close to the opening in-order to capture the water flowing through the seaweed. Because the surf was calm I felt safe from being pulled into the opening.

    I was lucky that the sunset came together at the right moment. I shot several frames, but this is the one that brought the entire scene together… Enjoy!

    © Christopher Johnson

    Waves rush through the blooming seaweed along the terrain of the Keahole coastline

    Purchase a print on paper, canvas, or metal at RedBubble.

  • In And Out

    Dark clouds began to build from the massive storm about to hit the Hawaiian Islands. On shore winds made this location extremely challenging to shoot. With each wave crash, sea spray would speckle the filter causing another cleaning. I wasn’t anticipating the wind otherwise I would have brought some sort of shield. Instead I used my shirt, slipping it over the camera while cleaning the filter carefully keeping still on the slippery rock face as giant waves raged toward me. Must have been a sight to watch… somewhat embarrassing.
    I shot several images of the wave action, but this one I feel captures the violence and movement of the ocean during the storm.

    © Christopher Johnson