Southern cliffs lit up and reflected in the black sand beach of Pololu Valley as water streaks through the shoreline rocks.
© Christopher Johnson
The trade winds were giving us a bunch of clear VOG-less Hawaiian sunsets at the end of April. I was excited to go out and photograph the sunset.
© Christopher Johnson
I was looking for a new way to photograph the Hawaiian coastline. This time I decided to tilt the camera down to show the foreground and imply the sunset through the warmth of the seaweed as well as the reflected glow of the sun in the water. With a slow shutter the motion of the water streaks and swirls as it mingles with the seaweed on its way back into the large holes in the coastline.
View a different photograph of mine from this same location…Â http://www.fromhereonin.com/keahole-sunset-3/
© Christopher Johnson
This is the second time that I visited this location along the Kaliliili coastline of Maui. The long stretch of coastline that runs along the ocean side highway on the way to Lahaina there is a small section of old fallen Kiawe trees that stretch out into the ocean. The black sand of the beach slightly covers the lower branches and they reach out into the air making it look like they are independent of the fallen tree.
I originally setup further away from the tree to get more of the tree into the photograph, however, the tree flattened out the flow of the scene. Instead I began to work on several different perspectives as well as different trees close by, but I wasn’t feeling that creative spark. As a last minute composition I decided to move extremely close to the tree I started with in order to express the organic detail as it moved into the ocean. At this point the sunset was at a close and I was graced with an orange glow of light along the trunk of the tree.
After capturing this shot I continued to shoot the ocean with long exposures and experiment with other compositions, but this was the favorite.
© Christopher Johnson
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Sunlight streams through the large opening of a sea arch off of Noio Point along the Kailua Kona coastline.
See the aerial version I shot with a DJI Spark drone, ‘Sea Arch Aerial‘.
© Christopher Johnson
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I visited this location two days in a row when the sunset had some promise. The first day was disappointing when the sun popped under the clouds as a dull glowing ball surrounded by the colorless grey haze, blocking any chance of color and light. I was successful when I shot while the sun was high, but during the finale the absence of light pushed my shutter speed too slow. While I wan’t going to compromise any more on aperture and ISO I packed up. However, the next day I was graced with the appearance of the sun. Again I watched as the sun faded behind the low lying haze that trapped the sunlight from under lighting the belly of the clouds, but I was happy to witness some color on the horizon.
My goal with this shot, against this sunset, was to capture the color and texture of the seaweed with a 1 second shutter. The surf was high and I didn’t want to risk a tight ground shot, so instead, I framed a glimpse of the foreground.
Enjoy…
© Christopher Johnson
I had a great time shooting at a new location with Mark Rogers for this sunset. This spot is so complex with so many compositional possibilities. I can’t wait to see what images Mark came up with.
My first impression of this location is a view through the passage toward a large hole in the reef. I wanted to capture the colorful seaweed with the strings of water as it flows gently through them while the sun colors up the clouds above. I think that with this composition in the winter the sun may be in the opening above the ocean, so I look forward to that possibility.
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Being too busy to go out and shoot is no fun and that is where I have been for most of 2015. Today I was able to retreat to the beach and noticed the calm ocean. It was then I slated a time to shoot the sunset. When the ocean is calm and the tide is low, the seaweed is more prevalent and I knew exactly where to go. A spot I haven’t been to in a while just north of Kailua Kona where the shoreline has a unique character to what we think Hawaii should look like.
This location, unlike the others, is more violent when the waves surge in and out of the large holes in the rocky shoreline. Extra caution is needed when setting up. I setup low and close to the opening in-order to capture the water flowing through the seaweed. Because the surf was calm I felt safe from being pulled into the opening.
I was lucky that the sunset came together at the right moment. I shot several frames, but this is the one that brought the entire scene together… Enjoy!
© Christopher Johnson
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Dark clouds began to build from the massive storm about to hit the Hawaiian Islands. On shore winds made this location extremely challenging to shoot. With each wave crash, sea spray would speckle the filter causing another cleaning. I wasn’t anticipating the wind otherwise I would have brought some sort of shield. Instead I used my shirt, slipping it over the camera while cleaning the filter carefully keeping still on the slippery rock face as giant waves raged toward me. Must have been a sight to watch… somewhat embarrassing.
I shot several images of the wave action, but this one I feel captures the violence and movement of the ocean during the storm.
© Christopher Johnson
The long trek in the dark was totally worth the soothing morning I had at Kiholo Bay this morning. I finally got myself to get up early enough to do this photo trip. Walking through a Kiave forest in pitch black darkness wasn’t the scariest part of the trip, nor was walking on the dangerous terrain of lava rock. It was the 4 goats I happened upon. I had my head down to watch where I was stepping when I briefly looked up. In the darkness I saw what appeared at first to be people looking down from above me. A second later I realized it was a family of goats, but for that initial second, my heart jumped.
The sun was beginning to glow over Mauna Kea when I finally found my spot at the end of Kiholo Bay looking back toward Hualalai. It was then I felt a much needed calming quietness come over me. Such a beautiful and amazing place to be.
© Christopher Johnson
The days following hurricane Iselle have made for some beautiful sunsets. Long stretches of low lying clouds with amazing formations that the light paints a surprising random pattern of color across the sky. It was the next night after the hurricane first hit land and quickly turned into a tropical storm that I ventured out to enjoy the sunset. My first thought was to go to Kohanaiki, with the white coral sand against the deep blues and purples would make for a pleasing shot, but the gates were still closed. Instead, a few miles down the road, Wawaloli beach park. There is one spot that is always crowded, but was left empty due to the storm. A small stretch of black sand that leads to another stretch of large rounded boulders. I have been wanting to revisit this spot for some time.
My shots began on the smooth sand, but I eventually found myself clumsily making my way over the slippery boulders. Careful to setup in a location where I wouldn’t get too drenched by unsuspecting, unpredictable waves, I setup to capture both the water movement and clouds in one frame. This shot I feel I captured to moment. With the slow shutter, the incoming waves smoothed out and caressed the dark boulders in a milky white while the stormy clouds are decorated by the colors of the setting sun.
© Christopher Johnson
